Today, depending on your timezone, is the launch of the The Other Hundred – Entrepreneurs photo-book and exhibition. This is the second edition of the The Other Hundred series which was initiated to provide a counterpoint to the mainstream media consensus about some of today’s most important issues. The first edition of the book was meant as a counterpoint to the Forbes 100, Bloomberg billionaires list and the countless other rich lists that are constantly making headlines. The second edition of the book focuses on alternative, everyday entrepreneurs.
I initially found out about the photo competition for the second edition of The Other Hundred book a week before the competition deadline closed in June last year, and I only had a couple of hours over a weekend to shoot images for the competition. Luckily I new someone who would be a perfect match for the competition criteria: Alexander Wright of Wellington Woodworks.
Alexander is the director of a small wood working collective based in Wellington, New Zealand known as Wellington Woodworks. The group’s seven members share a mutual interest in handcrafted woodwork, as well as a conscious concern for social and environmental issues. The collectives members lend one another a hand with jobs and have access to each others workshops, equipment, vehicles. The collective encourages familiarity and connectivity with the built environment, and strives to empower both individuals and groups by building and promoting community.
Alexander has a strong social and environmental ethics, which is exhibited in the character of the collective in their choice of materials and predominantly, the use of reclaimed and recycled timber which is preferred over freshly felled and sawn trees. Each piece of reclaimed timber is shaped as much by Alex as it is by its own unique history, and casting one’s eye over his collection of reclaimed timber invokes great curiosity at the stories hidden beneath the rough and weathered surface.
An important aspect of his endeavour is nurturing the development of co-operatives and/or collectives because he believes that working collaboratively is the most rewarding way to work: “collectives promote togetherness, people working with people rather than people working for people”.
My images were chosen, along with 99 other photographers from around the world, to be included in the second edition. A selection of the images which will be included in this year’s book, The Other Hundred – Entrepreneurs, is shown below:
At Christmas I was given an exciting reportage/photojournalism assignment in New Zealand by a Swedish trade magazine, Polisförbundet, the Swedish Police Union magazine. Working with Swedish journalist Ossian Grahn, I was commissioned to photograph a story on the use of non-lethal weapons (tasers) by New Zealand Police. Ossian was in Wellington for one week interviewing members of the New Zealand Police and the New Zealand Police Association, as well as organising permission for us to go on a ride-a-long.
We arrived at Wellington police station at 4pm on Saturday afternoon. We met the two officers who we would be shadowing for the next 12 hours, and followed them into the station carpark to get into the police car. At that moment, a high-ranking cop materialised and brashly told us we were not allowed to take pictures while out on the ride-a-long. Arrangements for the ride-a-long had been negotiated between both the Swedish and New Zealand Police Associations and New Zealand Police in the months prior to our visit and getting pictures to illustrate the story was the main purpose of the assignment (for me anyway!).
So for the first three hours, I followed the police around on their duties while surreptitiously trying to snap images from the hip using the camera’s silent shutter function. All the while Ossian was frantically calling his contacts at the Police Association to find out what the misunderstanding was and to try to get permission to photograph as was previously arranged. Three hours later the confusion was over with, and I could take the memory card out of my sock and openly take pictures to my heart’s content. Luckily for us, the more interesting events occurred after the photo ban was lifted.
It was an eye-opening experience traveling around with the police and getting to experience how they operate and view the city. It gave me view of Wellington’s seedy underbelly that I hadn’t seen before!
Having the opportunity to create this reportage and meeting and working with Ossian was also a great experience. Hopefully we will be able to work together on another assignment if the opportunity presents itself.
Below are the tearsheets for the printed article: